Related Artworks
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Street Scene from Vanity Fair, with Amelia, George Osborne and Dobbin (recto); Sketch of Young Woman (verso)
1800–1819
Greenwich Hospital (recto); Study of a Building (verso)
1820s
Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso)
1894–98 (verso); 1900–06 (recto)
Bathers (recto); Still Life (verso)
ca. 1890 (recto) – 1900 (verso)
The Fountain of the Académie de France in Rome (recto); The Gate of San Giovanni in Rome and a lakeside village (verso)
19th century
The Proposal (recto); Unfinished drawing of a horse and rider (verso)
after 1820
East End of Tunstall Church (recto and verso)
19th century
Foggy Landscape in the Apennine; verso: Sketch of Landscape
early 19th-mid-19th century
Study of Clouds (recto); Study of an Elder Bush by a Fence (verso)
1820–45
God The Father Creating (?) (r.); Study of neo-classical statue of a nude male (v.)
1772–1850
Temple of Mars Ultor, Rome
1840–45
The Rainbow
1794
More by John Leech
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Design for "Hooking and Eyeing," a wood engraving published in "Punch" (recto); Sketch of two women and a man (verso)
1851
Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather
1830–64
London at the Sea Side
1830–64
The Pike is a voracious fish and bites readily in the Winter months–Old Gentleman is VERY fond of fishing
1830–64
Lilthorpe's Gallant Attack on Street, Nuisances
1830–64
"The Riverside, Favourable Wind and the Trout Rising as Fast as Possible"
1830–64
"Preparing for the Pantomime"
1836–64
Comic Sketch
1837–64
"Have You Been to the Pump, Simpson?"
1837–64
"Vegetarian Odd Fellows: or, Carrott and Pa-Snip"
1837–64
Fishey Flies and Fly Fishes (recto); Typeface Designs (verso)
1837–99
John Bull and Uncle Sam
1837–64