Madonna van de nederigheid

Phases of Bartolommeo's career were formerly attributed to anonymous masters known as Ugolino Lorenzetti and the Master of the Ovile Madonna. Bartolommeo's early works were heavily influenced by Pietro Lorenzetti and Ugolino di Nerio. During the 1350s, he followed the fashion in Siena by returning to the two dimensionality, fluid lines, and decorative details of Simone Martini. He worked primarily in Tuscany, painting extensively for various Sienese churches, including five panels for Santa Maria della Scala, where he and his wife were lay members of its charitable society. He held minor public offices in Siena. He died on 4 September 1378. It was scholar Millard Meiss who first made the argument that the works attributed to both "The master of the Ovile Madonna" and "Ugolino Lorenzetti" might actually be by the same artist, Bulgarini. Comment on works: religious