Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso)

Design for a Ceiling (recto); Bearded Man Standing (verso)

1696–1770

The Emperor Constantine Copronymous Burned by an Invisible Fire (recto); Studies of Sibyls and Angles (verso)

ca. 1599–1610

Design for a Stage Set (recto); Architectural Design (verso)

1780–1804

Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso)

1536–1614

The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso)

1712–93

Architectural Capriccio: Courtyard of a Palace (recto); Saint Aloysius Gonzaga Holding a Crucifix (verso)

1712–93

Group of Laborers in a Field (recto); Angel Appearing to a Kneeling Saint (verso)

1530–86

Studies of a Reclined Woman on a Seashell, for the Triumph of Galatea (recto and verso)

ca. 1692

Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso)

1712–93

Abraham Entertaining the Three Angels (Genesis 18:1-15) (recto); A Couple Embracing, and Other (verso)

1710–80

The Baptism of Christ (recto); Kneeling Figure (?) in a Landscape (verso)

1612–75

Three Allegorical Figures in a Roundel

1510–61