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Standing Dominican or Servite Holding a Book and Staff (recto); Study of two warriors (verso)
1548–1612

Figure of a Man Throwing Stones (recto); Study of a Man (?) (verso)
1568–1640

Two Nudes Seen from Below (recto); Male Figure with Upraised Arm (verso)
1580–82

(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man
1613–78

Kneeling Male Figure with Outstretched Arms (recto); Semi-Nude Seated Male Figure seen from Behind (verso)
1537–91

Virgin and Child with Two Saints (recto); Fragmentary Design of a Pietà (verso)
1515–20

Head of a Youth in Profile (recto); Study of a Seated Figure (verso)
ca. 1525

Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)
1577–1660

Design for the Decoration of a Pilaster (recto); Putti with Trophies and Seated Figure with Child (verso)
ca. 1529

The Holy Trinity (recto); Studies of Seated Female Figures (the Virgin and another Saint?) (verso)
1634–1705

Design for a Decorative Panel with a Flutist (recto); Design for molding (verso)
ca. 1700–20

Kneeling Woman (lower register); verso: Kneeling Woman (lower register); (studies for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858)
19th century
More by Cavaliere d'Arpino (Giuseppe Cesari)
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The Flagellation of Christ, with floggers on either side and figures watching from a balcony above in the background
1593

Cupid wrestling with Pan, amongst the clouds, with two allegorical women seated at left
1598–1632

Susanna at the bath
ca. 1786

Aetarnitas
1614–50

Catafalque for Duke Alessandro Farnese; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'
1593

Head of a Bearded Man Wearing a Hood in Profile Facing Left
1636–38

Architectural Design for a Monumental Altar, with a Composition with Saint Michael Against Satan and two Saints (Saints Peter and Paul?)
n.d.

Allegorical Figure of Fame
ca. 1590

Head of a Warrior
1597–1601

Advancing Figure
1568–1640

Study after the Belvedere Torso
ca. 1585

Figure of a Man Throwing Stones (recto); Study of a Man (?) (verso)
1568–1640