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Procession, with three men leading three horses
16th century

A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'
1674

Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
1668

Procession, with a female figure seated on a float
16th century

Procession, with four men riding horses
16th century

The royal family sitting under a canopy, watching dancers perform the final ballet of 'La Costanza d'Ulisse'
ca. 1700

Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
1668

How one entered the church (Folgt wie man zur Kirchen gangen), from a series depicting the wedding of Wolfgang Wilhelm, Duke of Pfalz-Neuberg, Pfalzgraf, and Magdalena, Duchess of Bavaria, in Munich, 1613 (Plate 4)
1614

Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro'
1668

People celebrating at the coronation of Ferdinand II in Frankfurt
16th century

Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'
1668

Entrance of the Archduke Ernest to Brussels, January 30, 1594
after 1594
More by Ludovico Ottaviano Burnacini
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Theatrical scene with three figures seated in the middle of a room with columns at left and right and a coffered ceiling
ca. 1650–1700

Theatrical scene in a great hall with a vaulted ceiling and a central sculpture; two figures converse in the background while a third stands alone in the foreground
ca. 1687–1717

Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl
ca. 1660–82

Final ballet of 'L'Euleo festeggiante nel ritorno d'Alessandro dall'India'
1699

The Elysian Fields; set design from 'La Monarchia Latina Trionfante'
1678

A grotto with collapsing rocks, opening to a sky full of the enthroned gods of Olympus, including Jupiter, Apollo, Mars, Venus, and Mercury; set design from 'La Monarchia Latina Trionfante'
1678

Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante'
1678

An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'
1678

Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'
1678

Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'
1678

The royal family sitting under a canopy, watching dancers perform the opening ballet of 'La Costanza d'Ulisse'
ca. 1700

The royal family sitting under a canopy, watching dancers perform the final ballet of 'La Costanza d'Ulisse'
ca. 1700