Antonio Caranzano · Giulio Romano · Diana Scultori

**Antonio Caranzano** (active Rome, ca. 1577–ca. 1614) was an Italian plate printer, print dealer, and publisher originally from Milan. He played a significant role in the late sixteenth- and early seventeenth-century Roman print trade by producing and distributing reproductive engravings after major Renaissance masters.

Caranzano operated in partnership with Giovanni Battista di Lazzaro Panzera da Parma at least from 1577, maintaining a shop in the Borgo district of Rome. His publications often featured works by the celebrated engraver Diana Scultori (also known as Diana Mantovana), including prints after designs by Giulio Romano. Notable examples include the 1575 engraving *Christ and the Woman Taken in Adultery* (republished by Caranzano around 1613) and other reproductive prints after Polidoro da Caravaggio and similar artists. These editions helped disseminate important compositions to a wider audience of collectors and artists.

Although little is recorded about his personal training or artistic output beyond his publishing activities, Caranzano’s work reflects the vibrant commercial print culture of Counter-Reformation Rome. His firm issued plates in multiple states, extending the reach of sixteenth-century designs well into the seventeenth century. Today, impressions bearing his imprint are held in major collections such as the Metropolitan Museum of Art and the British Museum, where they document the networks of print production and distribution in early modern Italy. His legacy lies in preserving and circulating the visual heritage of the High Renaissance through accessible engraved reproductions.