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Guillaume Benjamin Amand Duchenne De Boulogne - Artist Biography & Artworks

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Portrait of Guillaume-Benjamin-Amand Duchenne de Boulogne|Adrien Tournachon

Guillaume-Benjamin-Amand Duchenne de Boulogne · Adrien Tournachon

1806–1875

Nationality: French|French

Gender: |

Biography

French, 1806–1875|French, 1825–1903

Artworks

49 artworks

Figure 34: Grimace

Figure 34: Grimace

1854–56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty

Figure 83: Lady Macbeth, ferocious cruelty

1854–56, printed 1862

Figure 6: The grimice produced is similar to a tic of the face

Figure 6: The grimice produced is similar to a tic of the face

1854–56, printed 1862

Figure 73: Head of Niobe

Figure 73: Head of Niobe

1854–56, printed 1862

Figure 26: Expression of painful attention and attention, attentive gaze.

Figure 26: Expression of painful attention and attention, attentive gaze.

1854–56, printed 1862

Figure 27: Expression proportionally more pained

Figure 27: Expression proportionally more pained

1854–56, printed 1862

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention.

1854–56, printed 1862

Figure 16: Expression of severity

Figure 16: Expression of severity

1854–56, printed 1862

Figure 56: Surprise

Figure 56: Surprise

1854–56, printed 1862

Figure 18: Aggression, wickedness

Figure 18: Aggression, wickedness

1854–56, printed 1862

Faradisation du muscle frontal

Faradisation du muscle frontal

1854–56, printed 1862

Figure 52: Voluntary retraction of the lower lip

Figure 52: Voluntary retraction of the lower lip

1854–56, printed 1862

Figure 53: Whimpering and false laughter

Figure 53: Whimpering and false laughter

1854–56, printed 1862

Figure 47: A suggestion of this same weeping

Figure 47: A suggestion of this same weeping

1854–56, printed 1862

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness.

1854–56, printed 1862

Figure 62: Terror, semiprofile

Figure 62: Terror, semiprofile

1854–56, printed 1862

Figure 20: Profound suffering, with resignation

Figure 20: Profound suffering, with resignation

1854–56, printed 1862

Figure 36: Scornful laughter and scornful disgust

Figure 36: Scornful laughter and scornful disgust

1854–56, printed 1862

Figure 75: Nun saying her prayers

Figure 75: Nun saying her prayers

1854–56, printed 1862

Figure 4: The face in repose of a young man

Figure 4: The face in repose of a young man

1854–56, printed 1862

Figure 81: Lady Macbeth, moderate expression of cruelty

Figure 81: Lady Macbeth, moderate expression of cruelty

1854–56, printed 1862

Figure 45: Pain and despair.

Figure 45: Pain and despair.

1854–56, printed 1862

Figure 22: No painful expression

Figure 22: No painful expression

1854–56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi

1854–56, printed 1862