John Major · Jan Gossart (called Mabuse) · H. Cook · Henry VII, King of England and Lord of Ireland · Elizabeth of York, Queen of England

**Jan Gossaert (c. 1478–1532), also known as Jan Gossart or Mabuse**, was a leading Netherlandish painter of the early Renaissance who played a pivotal role in introducing Italian artistic ideas to the Low Countries. Born in Maubeuge (from which his nickname Mabuse derives) in the County of Hainaut, he was a French-speaking artist from the region of the Low Countries. Little is known of his early life or training, though he registered as a master in Antwerp’s Guild of Saint Luke in 1503.

Gossaert traveled to Rome in 1508–1509 in the entourage of Philip of Burgundy, an experience that profoundly shaped his work. He became one of the first Northern painters to study antique sculpture and Italian Renaissance art firsthand, emerging as a central figure in the style known as Romanism. This approach fused meticulous Northern detail with Italianate figures, architecture, and classical themes, often featuring mythological nudes alongside traditional religious subjects. He worked primarily for high-ranking Habsburg patrons, including Philip of Burgundy (later Bishop of Utrecht), Adolf of Burgundy, and members of the extended court circle, producing altarpieces, portraits, and secular scenes.

Among his notable works are the mythological *Neptune and Amphitrite* (1516, Gemäldegalerie, Berlin), the grand *Adoration of the Kings* (National Gallery, London), and sensitive portraits such as that of Jean Carondelet (c. 1517, Louvre). He also created devotional images like the *Madonna and Child Playing with the Veil* (Mauritshuis) and mythological scenes including *Adam and Eve* and *Hercules and Deianira*. Gossaert maintained a productive workshop and counted Jan van Scorel among his pupils.

Gossaert died in Antwerp in 1532. Though less celebrated today than contemporaries like Albrecht Dürer or Lucas van Leyden, his fusion of Northern precision with Italian monumentality helped pave the way for later Netherlandish artists and influenced the broader spread of Renaissance ideals north of the Alps. His drawings, in particular, are admired for their clarity and observation.