Samuel Marsden Brookes (1816–1892) was an English-born American painter renowned for his meticulously detailed still lifes of fish and game, though he also produced portraits and landscapes throughout his career. Born in Newington Green, Middlesex, to a wealthy family of Dutch origin, his father managed a nursery specializing in exotic plants. The family emigrated to the United States in 1833 and settled near Chicago. As a teenager, Brookes showed an early talent for art by copying works from traveling portrait painters and creating miniatures, despite his father’s disapproval of art as a profession.
He received drawing lessons from the portrait artist James Bowman and began working as an itinerant painter around 1841. That same year, he married Julia Jones in Milwaukee. In 1845, he returned to England for a year to study and copy Old Masters in London galleries, honing his skills before establishing himself in Wisconsin. There, he received commissions from the Wisconsin State Historical Society and purchased a small farm. In 1862, encouraged by the maritime painter Gideon Denny—who had studied with him earlier—Brookes relocated to San Francisco, where his wife and children soon joined him. He shared studios with Denny and later Edwin Deakin, took on students including William Keith, and shifted his focus primarily to still lifes.
Brookes became a central figure in California’s emerging art scene. He helped organize the California Art Union in 1865, served as vice president of the San Francisco Art Association, and was a founder of the Bohemian Club. His fish paintings, often based on specimens he caught himself, were especially prized and commissioned by collectors such as Edwin B. Crocker and Mary Hopkins Searles. Many of his works were destroyed in the 1906 San Francisco earthquake and fire. Brookes left a lasting legacy as one of the finest 19th-century American still-life painters, celebrated for his precise realism and contributions to the development of art institutions on the West Coast.