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Broadsheet, on recto skeletons riding bicycles entitled 'From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles'; on verso skeletons buying and selling printed images etc

Q: When was "Broadsheet, on recto skeletons riding bicycles entitled 'From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles'; on verso skeletons buying and selling printed images etc" created?

This artwork was created ca. 1895–1900.

Q: Is "Broadsheet, on recto skeletons riding bicycles entitled 'From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles'; on verso skeletons buying and selling printed images etc" in the public domain?

Yes, Broadsheet, on recto skeletons riding bicycles entitled 'From this famous hippodrome on the racetrack, not even a single journalist is missing. Death is inexorable and doesn't even respect those that you see here on bicycles'; on verso skeletons buying and selling printed images etc is in the public domain and available for free download under CC0 license.

José Guadalupe Posada | Antonio Vanegas Arroyo

ca. 1895–1900

Medium

Etching on zinc, woodcut, letterpress, relief printing

About José Guadalupe Posada

1852–1913 • Mexican

José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transformed the ancient Mexican calavera (skeleton) tradition, using skeleton imagery year-round for political satire, news reporting, and social commentary rather than reserving it for Day of the Dead celebrations. Despite his enormous productivity and the popularity of his work among common people, Posada never achieved financial success or recognition as a fine artist during his lifetime, dying in poverty and buried in an unmarked pauper's grave. The resurrection of his reputation by Jean Charlot in 1925 established him as a foundational figure in modern Mexican art, profoundly influencing the great Mexican muralists and inspiring generations of social justice artists worldwide.

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