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古筆切の手鑑 『藻鏡』|A Mirror of Gathered Seaweed (Mokagami)

Various calligraphers

8th–17th century

古筆切の手鑑 『藻鏡』|A Mirror of Gathered Seaweed (Mokagami) by Various calligraphers

Medium

Album of 301 calligraphy fragments; mostly ink on paper, some on dyed or decorated paper

Dimensions

Album: 15 3/4 × 13 3/8 × 6 5/16 in. (40 × 34 × 16 cm)

Classification

Calligraphy

Culture & Period

Japan · Nara (710–794)–Edo (1615–1868) period

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015

Accession Number

2015.300.229

Rights

Public Domain

Tags

Calligraphy

Art Historical Context

Step into the timeless world of Japanese calligraphy withA Mirror of Gatheredweed (Mokagami)*, an exquisite album known as *Furitsu no tegami*. Compiled as a *tegan*—a hand-held manual for calligraphic study—this treasure houses 301 fragments clipped from ancient documents, spanning the Nara period (710–794 to the Edo period (1615–8). Created by various master calligraphers, it Japan's profound reverence for writing as an art form, where brushstrokes convey not just words but rhythm, emotion, and spiritual depth. The album's historical significance lies in its role as a "mirror" for aspiring artists, preserving rare samples of evolving scripts like kaisho (block script) and gyosho (running script). These snippets, salvaged from scrolls, letters, and sutras, capture stylistic shifts across a millennium—from the angular precision of early Heian elegance to the fluid expressiveness of Muromachi Zen influences. Its compact dimensions (15 3/4 × 13 3/8 × 6 5/16 in.) made it portable for connoisseurs to study and admire. Crafted mostly in ink on paper, with some fragments on dyed or decorated sheets, the work showcases techniques like sumi ink layering for tonal variation and subtle paper embellishments that enhance visual harmony. A gift from the Mary Griggs Burke Collection to the Metropolitan Museum of Art, *Mokagami* embodies Japan's cultural ethos of *wabi-sabi*—finding beauty in fragments—and remains a vital link to the nation's calligraphic heritage.

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