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Plate 14: a large group of people outdoors, possibly a troupe of actors, from the series of customs and pastimes of the Spanish people
1850

View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain
1808–14

View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war
1808–14

Entrance to the church of St Joseph (San José), Madrid, figures seated on the ground in front
ca. 1860–70

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
ca. 1815–19 (published 1864)

Landscape
ca. 1807–10

Plate 57 from "Los Caprichos": The filiation (La filiacion)
1799

A Maja standing against a dark background with figures
1859

'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
ca. 1815–19 (published 1864)

Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
1799

Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)
1799

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)
ca. 1815–19 (private printing ca.1854)
More by Mariano Fortuny, 1838–1874
Explore other works by this artist

An Arabic man keeping watch over the dead body of his friend
1866

A partly naked man on the ground, right arm outstretched
ca. 1860–70

A partly naked man on the ground right arm outstretched
ca. 1860–70

A boat near the shoreline of a beach or a river
ca. 1860–70

A boat near the shoreline of a beach or a river
ca. 1860–70

Portrait of the painter Eduardo Zamacois seated at a table
ca. 1869

Portrait of the painter Eduardo Zamacois seated at a table
ca. 1869

A Morrocan farrier at left accompanied by another figure attending to the hoof of a mule
ca. 1860–70

Entrance to the church of St Joseph (San José), Madrid, figures seated on the ground in front
ca. 1860–70

Entrance to the church of St Joseph (San José), Madrid, figures seated on the ground in front
ca. 1860–70

The Diplomat, man seated holding hat facing left
ca. 1860–70

Master of ceremonies, a man standing facing the viewer holding a staff in his left hand
ca. 1865