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Album or Scrapbook with Grotesque Designs Copied after Prints
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Album or Scrapbook with Grotesque Designs Copied after Prints

Medium

Pen and black ink, brush and gray wash

Dimensions

Overall: 14 7/8 x 10 15/16 x 3/16 in. (37.8 x 27.8 x 0.5 cm)

Collection

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960

Classification

Albums|Ornament & Architecture|Drawings

Department

Drawings and Prints

Rights

Public Domain

About Agostino Veneziano (Agostino dei Musi)

1490 –1536 Italian

More by Agostino Veneziano (Agostino dei Musi)

Explore other works by this artist

Designs for three terms

Designs for three terms

1546–49

Plate 13: Psyche looking at Cupid, from "The Story of Cupid and Psyche as told by Apuleius"

Plate 13: Psyche looking at Cupid, from "The Story of Cupid and Psyche as told by Apuleius"

1530–60

Plate 7: Psyche attended in her bath, from "The Story of Cupid and Psyche as told by Apuleius"

Plate 7: Psyche attended in her bath, from "The Story of Cupid and Psyche as told by Apuleius"

1530–60

Plate 4: Psyche's father consulting the Oracle, accompanied by another king, from "The Story of Cupid and Psyche as told by Apuleius"

Plate 4: Psyche's father consulting the Oracle, accompanied by another king, from "The Story of Cupid and Psyche as told by Apuleius"

1530–60

Speculum Romanae Magnificentiae: Laocoon

Speculum Romanae Magnificentiae: Laocoon

1561

Speculum Romanae Magnificentiae: Ornamental foliage from churches

Speculum Romanae Magnificentiae: Ornamental foliage from churches

16th century

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina

Speculum Romanae Magnificentiae: Temple of Antoninus and Faustina

16th century

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

after 1518

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano

ca. 1518–20

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

after 1518

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

after 1518

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

after 1518