Artheon MuseumArtheonMuseum

Arm Chair

Arm Chair by American 20th Century

Medium

watercolor, graphite, colored pencil, and gouache on paper

Dimensions

overall: 28 x 22.8 cm (11 x 9 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.10417

Rights

Public Domain

Art Historical Context

This delicate rendering of an *Arm Chair*, created by an anonymous American artist between 1935 and 1942, is a gem from the Index of American Design—a landmark WPA Federal Art Project that employed artists during the Great Depression to document the nation's rich decorative arts heritage. Part of a vast visual catalog of over 15,000 works, it captures the elegance of everyday American craftsmanship, preserving objects that embodied cultural identity amid economic hardship. Executed in watercolor, graphite, colored pencil, and gouache on paper28 x 22.8 cm), the piece showcases meticulous mixed-media techniques: graphite for precise outlines, vibrant gouache and watercolor for depth and luminosity, and colored pencil for fine details. This documentary style renders the chair's form with photographic accuracy yet artistic flair, highlighting curves, joinery, and finishes that reflect colonial or Federal-era influences in American furniture design. Housed in the National Gallery of Art's Index of American Design collection, this work underscores the project's role in celebrating vernacular art, fostering national pride, and influencing mid-20th-century design revival. It's a charming window into how ordinary objects like an arm chair wove into the fabric of American life.

About the Artist

American 20th Century · 1900–1999

"American 20th Century" is the designation used by major institutions such as the National Gallery of Art (NGA) for anonymous and unidentified artists active in the United States during the twentieth century. The artist's personal identity, early life, and training remain undocumented, reflecting the challenges of attribution for unattributed works from this era. No specific teachers, art schools,...

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