Armchair (chaise à bras, pair with 1975.1.2000)

Art Historical Context

This elegant 16th-century armchair, known as a *chaise à bras*, the opulent furniture of Renaissance Europe, likely crafted in France, Italy, or Spain. Its walnut frame, turned and intricately carved in the second half of the 1500s, features a sturdy yet graceful form with a height of 103 cm designed for comfort in grand interiors. Paired with another in the collection (1975.1.2000), it reflects the era's emphasis on symmetrical, functional luxury for elite households. The seat and back are upholstered in dark blue silk cut velvet, embroidered and possibly dating to the 16th or 17th century, showcasing advanced textile techniques. Cut velvet, where pile is sheared to create patterns, was a prized import from Italian or Spanish workshops, symbolizing wealth and status. The walnut woodwork's turning—shaping on a lathe—and carving highlight masterful joinery skills, blending utility with decoration. Part of the Robert Lehman Collection at The Metropolitan Museum of Art, this piece offers a glimpse into Renaissance domestic life, where furniture doubled as status symbols. Its uncertain national origin underscores the vibrant cultural exchanges across Europe during this period, making it a tantalizing mystery for visitors.