Armchair
c. 1937
Medium
pen and ink and graphite on paper
Dimensions
overall: 26.9 x 21.4 cm (10 9/16 x 8 7/16 in.) Original IAD Object: 130cm high, 58 cm wide
Classification
Index of American Design
Department
CG-W
Museum
National Gallery of Art, Washington, D.C.
Credit
Index of American Design
Accession Number
1943.8.4120
Rights
Public Domain
Art Historical Context
Frank Wenger's *Armchair* (c. 1937) is a pen and ink drawing heightened with graphite on paper, measuring 26.9 x .4 cm. Created as part of the Index of American Design, this work captures the elegant lines and sturdy proportions of original armchair standing 130 cm high and58 cm wide. Wenger's precise rendering highlights the chair's functional beauty, showcasing the craftsmanship of American decorative arts through fine lines and subtle shading that emphasize wood grain, joinery, and ergonomic form. The Index of American Design was a project of the Works Progress Administration (WPA) during the Great Depression, launched in 1935 to document the nation's rich heritage of folk art, crafts, and design. Over 18,000 renderings like this one were produced by artists across the U.S., preserving objects that embodied American ingenuity and regional traditions. Wenger, a skilled draftsman, contributed to this effort by transforming three-dimensional artifacts into vivid, accessible illustrations. Displayed in the National Gallery of Art's collection, *Armchair* underscores the cultural importance of everyday furniture in shaping American identity. Its technical mastery in mixed media not only records historical design but invites viewers to appreciate the artistry in utility, bridging past craftsmanship with modern appreciation.
About the Artist
Frank Wenger · 1855–present
**Frank Wenger** (American, active c. 1935) was a meticulous artist whose precise renderings captured the elegance of traditional American furniture during the Great Depression era. Little is known about his early life or formal training, as biographical details remain scarce. What endures is his substantial body of work—over 50 pieces—created as part of the Index of American Design (IAD), a Feder...