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Art of Scaling by Thomas Rowlandson|Samuel Alken|Samuel Alken

Medium

Etching and aquatint

Dimensions

Sheet: 9 7/16 × 11 5/8 in. (24 × 29.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.237

Rights

Public Domain

Tags

SatireBalconiesMenWomen

Art Historical Context

In the lively world of 18th-century British satire, *Art of Scaling* (ca. 1785), a collaborative etching and aquatint by Thomas Rowlandson and Samuel Alken, captures the cheeky escapades of amorous adventurers. Rowlandson, renowned for his caricatured vignettes poking fun at social follies, teams up with Alken, a specialist in sporting and humorous scenes, to depict men comically scaling balconies in pursuit of women—a nod to the romantic (and risky) tropes of courtship and elopement. Printed on a modest sheet of 9 7/16 × 11 5/8 inches, this work buzzes with exaggerated expressions and dynamic poses, inviting viewers to chuckle at human folly. The etching and aquatint technique shines here: etching delivers crisp, witty lines for figures and architecture, while aquatint adds velvety tones for depth and atmosphere, making the nocturnal mischief pop. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of The Elisha Whittelsey Collection, it exemplifies the era's booming print culture, where affordable satires like this entertained the middle class and critiqued upper-class pretensions. A delightful glimpse into Georgian England's humorous underbelly!

About the Artist

Thomas Rowlandson|Samuel Alken|Samuel Alken · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

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