Blind Orion Searching for the Rising Sun
1658
Medium
Oil on canvas
Dimensions
46 7/8 x 72 in. (119.1 x 182.9 cm)
Classification
Paintings
Department
European Paintings
Museum
Metropolitan Museum of Art, New York, NY
Credit
Fletcher Fund, 1924
Accession Number
24.45.1
Rights
Public Domain
Tags
Art Historical Context
In the grand tradition of French Classicism, Nicolas Pous's *Blind Orion Searching for the Rising Sun* (8) captures a poignant moment from Greek mythology. The painting depicts the mighty hunter Orion, blinded by king of Chios and guided by the boy Cedalion toward the dawn's first light, hoping to restore his sight. Diana, the goddess of the hunt, appears in the distance, adding a layer of divine intrigue to the scene. This oil on canvas masterpiece, measuring nearly 47 by 72 inches, exemplifiesoussin's late-career mastery, created when he was in his sixties and firmly established in Rome. Poussin, a leading figure of 17th-century European art, blended idealized human forms with poetic landscapes, drawing from antiquity to evoke order and harmony. His meticulous technique—layered glazes for luminous depth and balanced compositions—influences the Baroque era while prioritizing classical restraint over drama. The expansive landscape, dotted with rugged cliffs and ethereal light, underscores themes of human striving against nature's vastness, a hallmark of his philosophical approach to myth. Acquired by the Metropolitan Museum of Art in 1924 through the Fletcher Fund, this work remains a testament to Poussin's enduring legacy, inviting visitors to ponder the interplay of fate, sight, and renewal in one of art history's most serene yet profound visions.
About the Artist
Nicolas Poussin · 1594–1665
Nicolas Poussin, born in June 1594 near Les Andelys in Normandy, emerged from a family of local distinction whose modest means and parental opposition could not deter his artistic calling. He received his initial training under the itinerant painter Quentin Varin in Rouen around 1611–12, absorbing lessons in storytelling, precise facial expressions, and rich colors, though without a formal long-te...