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By Authority. Persons and Property Protected

By Authority. Persons and Property Protected by Thomas Rowlandson|S. W. Fores

Medium

Etching

Dimensions

Sheet: 9 13/16 × 13 7/8 in. (25 × 35.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.109

Rights

Public Domain

Tags

SatireMenWomenHorsesCarriages

Art Historical Context

Thomas Rowlandson’s etching “By Authority. Persons and Property Protected,” published on November 24, 1785, offers a witty glimpse into late-eighteenth-century British society. Rowlandson, celebrated for his lively caricatures, collaborated here with publisher S. W. Fores to create a print that pokes fun at authority and everyday street life. The scene, populated by men, women, horses, and carriages, reflects the bustling urban world of Georgian London, where satirical images circulated widely as both entertainment and social commentary. Etching was ideally suited to Rowlandson’s quick, expressive line work, allowing sharp details and humorous exaggerations to be reproduced affordably for a broad audience. Such prints often appeared in shop windows or were collected in albums, shaping public opinion on matters ranging from fashion to politics. This particular work, now in the Metropolitan Museum’s Elisha Whittelsey Collection, captures the playful yet pointed spirit of the era’s graphic satire. Measuring roughly 10 by 14 inches, the sheet demonstrates how modest-sized prints could deliver outsized cultural impact, inviting viewers to laugh at the very systems meant to protect them.

About the Artist

Thomas Rowlandson|S. W. Fores · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

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