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Cabinet Design with Black Doors and Red Interior

Cabinet Design with Black Doors and Red Interior by Anonymous, British, 19th century

Medium

Pen and ink and watercolor

Dimensions

sheet: 5 1/16 x 7 1/2 in. (12.9 x 19 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.608.70(26)

Rights

Public Domain

Tags

Cabinets

Art Historical Context

This delicate pen and ink drawing with watercolor, titled *Cabinet Design with Black and Red Interior*, offers a glimpse into 19th-century British furniture. Created anonymously by a British artist, the small sheet (5 1/16 x 7 1/2 in.) captures a proposed cabinet featuring striking black doors that open to reveal a vivid red interior. Such precise renderings were typical of the era's ornament and architecture sketches, used by designers to visualize luxury furnishings for wealthy patrons. In Victorian Britain, cabinets like this symbolized status and refinement, often incorporating bold contrasts in color and form to enhance domestic interiors. The medium—fine pen lines for structure paired with watercolor washes for depth—allowed for quick yet evocative proposals, blending technical accuracy with artistic flair. This piece falls under the Drawings and Prints classification, highlighting its role in the decorative arts tradition. Now housed in The Metropolitan Museum of Art's Elisha Whittelsey Collection (acquired via The Elisha Whittelsey Fund in 1959), it exemplifies the meticulous planning behind everyday opulence. Visitors will appreciate how this unassuming sketch bridges craftsmanship and creativity, inviting us to imagine the cabinet's tactile allure in a candlelit drawing room.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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