De kruisiging
1511
Medium
engraving
Dimensions
117; 75
Rights
Public Domain
About this artwork
Christus aan het kruis. Aan zijn linkerzijde staat Johannes de evangelist, aan zijn rechterzijde zijn moeder Maria. Deze prent is onderdeel van een serie van 16 prenten met scènes uit het Lijdensverhaal.
Art Historical Context
Albrecht Dürer's *De kruisiging* (The Crucifixion), created in 1511, is a masterful engraving measuring just 117 mm high by 75 mm wide—small enough to fit in the palm of your hand, yet packed with profound emotion and detail. At the center, Christ hangs on the cross, flanked on his left by St. the Evangelist and on his right by his mother, the Virgin Mary, capturing a pivotal moment of sorrow and redemption from the Passion narrative. This intimate scene reflects the Northern Renaissance's emphasis on religious devotion, blending meticulous observation with spiritual intensity. As one of 16 prints in Dürer's series depicting scenes from the *Lijdensverhaal* (Passion of Christ), it showcases his revolutionary engraving technique. Using a burin to incise fine lines into a copper plate, Dürer achieved extraordinary precision, allowing for subtle textures like the folds of Mary's robe and the anguish in the figures' faces. This method not only enabled widespread dissemination of his work during the early 16th century but also democratized access to high art amid the Reformation's religious fervor. Dürer's genius lies in transforming a tiny format into a window on human suffering and divine grace, influencing generations of printmakers. Gaze closely, and you'll feel the weight of history in every etched line—a testament to art's power to console and inspire.
About the Artist
Albrecht Dürer · 1471–1528
Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...