Artheon MuseumArtheonMuseum

Design for a Curved and Bottle Coaster

Design for a Curved and Bottle Coaster by Anonymous, British, 19th century

Medium

Graphite

Dimensions

sheet: 8 11/16 x 12 5/16 in. (22 x 31.2 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1938

Accession Number

38.37.120

Rights

Public Domain

Art Historical Context

This delicate graphite drawing, titled *Design for a Curved Bottle Coaster*, offers a glimpse into the refined world of early 19-century British decorative arts. Created anonymously by a British artist around the Regency era, it depicts precise designs for elegant coasters—practical yet ornamental objects likely intended for serving wine bottles or decanters in affluent households. Measuring just 8 11/16 x 12 5/16 inches, the sheet captures the meticulous planning behind everyday luxury items, blending functionality with neoclassical grace. As a preparatory sketch in the Drawings and Prints department at The Metropolitan Museum of Art, this work exemplifies the era's ornamental and architectural drafting techniques. Graphite allowed for fine lines and subtle shading, enabling designers to refine shapes, curves, and motifs before execution in materials like silver or wood. Such drawings were essential in Britain's burgeoning design trade, bridging craftsmanship and emerging industrial production, and reflecting a cultural emphasis on polished domestic elegance. Acquired through the Harris Brisbane Dick Fund in 1938, this anonymous gem highlights the unsung role of draftsmen in shaping Britain's decorative legacy. Visitors will appreciate how it reveals the thoughtful artistry behind objects we take for granted today.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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