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Design for a Sofa with One WIng-like Arm, Chair and Stool

Design for a Sofa with One WIng-like Arm, Chair and Stool by Anonymous, British, 19th century

Medium

Graphite

Dimensions

sheet: 8 9/16 x 12 3/8 in. (21.8 x 31.4 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1938

Accession Number

38.37.89

Rights

Public Domain

Tags

ChairsStools

Art Historical Context

This delicate graphite drawing, created anonymously by a British artist in the early 19 century, presents a refined design for a sofa featuring one distinctive wing-like arm, alongside matching chair and stool.ifying the Regency era's elegant furniture aesthetics—bridging Neoclassical restraint with emerging Romantic flourish—these sketches capture the period's emphasis on graceful lines, comfort, and symmetry in domestic interiors. Such designs reflect Britain's growing fascination with bespoke furnishings for the rising middle and upper classes, influenced by continental styles and the Industrial Revolution's prototyping innovations. Rendered in graphite on a modest sheet (8 9/16 x 12 3/8 in.), the work showcases precise drafting techniques typical of architectural ornament drawings.ading and subtle hatching convey form and texture, hinting at upholstery and wood grain without color, a practical choice for designers sharing ideas with craftsmen. Acquired through the Harris Brisbane Dick Fund in 1938, this piece from the Metropolitan Museum of Art's Drawings and Prints department offers a window into the collaborative world of 19th-century British design, where anonymous draftsmen shaped everyday luxury. Today, it reminds us how furniture sketches like this fueled the evolution of modern interiors, blending functionality with artistic whimsy.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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