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Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck

Design for Coffered Ceiling, Mme Païva's Chateau at Neudeck by Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet

Medium

Pen and brown ink, watercolor, gouache, and gilt.

Dimensions

14 9/16 x 10 3/16 in. (37 x 25.9 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Dodge Fund, 1967

Accession Number

67.827.39

Rights

Public Domain

Tags

Ceilings

Art Historical Context

This delicate drawing, created by architects Jules-Edmond-Charles Lachaise and Eug-Pierre Gourdet in the second half of the 19 century, presents an elegant design for the coff ceiling of Mme Païva's Château at Neudeck. Coffered ceilings, featuring recessed panels often adorned with intricate patterns, were a hallmark of opulent 19th-century interiors,oking the grandeur of Renaissance palaces while suiting the lavish tastes of Europe's elite. Mme Païva, a prominent figure in Parisian high society, commissioned such designs to reflect her extravagant lifestyle in her Neudeck estate. Rendered in pen and brown ink with watercolor, gouache, and gilt highlights, the 14 9/16 x 10 3/16-inch sheet (37 x 25.9 cm) masterfully simulates the play of light on gilded surfaces and textured compartments. These mixed-media techniques were standard for architectural presentations, allowing designers to convey realism, depth, and material splendor to wealthy patrons before construction. Housed in the Metropolitan Museum of Art's Department of Drawings and Prints (acquired through the Dodge Fund in 1967), this work offers visitors a window into the collaborative artistry behind Second Empire-era luxury, where every ceiling detail contributed to an atmosphere of timeless magnificence.

About the Artist

Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet · 1897–1897

Jules-Edmond-Charles Lachaise, born Jules Lachaise on September 2, 1836, in Paris, emerged as a prominent French painter and draughtsman specializing in lavish interior decorations during the Second Empire and beyond. Little is known about his early life and formal training, though he married Berthe Gourdet in 1866, forging a close professional partnership with her brother, the decorator Eugène-Pi...

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