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Design for Three Chairs with Red Upholstery

Design for Three Chairs with Red Upholstery by Anonymous, British, 19th century

Medium

Pen and ink, brush and wash, watercolor

Dimensions

sheet: 9 15/16 x 14 13/16 in. (25.2 x 37.7 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1938

Accession Number

38.37.26

Rights

Public Domain

Tags

Chairs

Art Historical Context

Step into the early 19th-century world of British design with this charming *Design for Three Chairs with Upholstery*, created by an anonymous artist around 1800–1820. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this sheet (9 15/16 x 14 13/16 in.) captures the elegance of Regency-era furniture concepts, where chairs were not just functional but statements of style and comfort. Rendered in pen and ink with brush and wash and watercolor, the drawing showcases precise line work for structural outlines and subtle shading to evoke depth and texture. The vibrant red upholstery—indicated through watercolor—hints at luxurious fabrics popular in affluent British homes, contrasting with the clean, neoclassical lines of the chair frames. This mixed-media technique was standard for architects and designers, allowing quick visualization before costly craftsmanship. As part of the Ornament & Architecture classification, it reflects Britain's thriving furniture trade during the Industrial Revolution's dawn, when innovative designs blended functionality with ornament. Acquired via the Harris Brisbane Dick Fund in 1938, this anonymous gem offers a window into the creative process behind everyday luxury, reminding us how sketches shaped the interiors of grand estates.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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