Artheon MuseumArtheonMuseum

Design for Two Marble Topped Tables with Carved Legs

Design for Two Marble Topped Tables with Carved Legs by Anonymous, British, 19th century

Medium

Pen and ink, brush and wash, watercolor

Dimensions

sheet: 10 3/4 x 14 15/16 in. (27.3 x 38 cm)

Classification

Drawings|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1938

Accession Number

38.37.108

Rights

Public Domain

Tags

Tables

Art Historical Context

This delicate pen and ink drawing, enhanced with brush and wash and, presents designs for two elegant marble-topped tables featuring intricately carved legs. Created an anonymous British artist in early 19th century the sheet measures 10 3/4 x 14 15/16 inches and exemplifies the meticulous preparatory work of the period's ornamental architects and designers. Housed in the Metropolitan Museum of Art's Drawings and Prints department—acquired through the Harris Brisbane Dick Fund 1938—it offers a window into Regency-era furniture aesthetics, where neoclassical elegance met emerging romantic flourishes. The mixed-media technique—precise pen lines for structure, fluid washes for shading, and watercolor for subtle color—brings the marble surfaces and carved motifs to life, simulating wood grain and stone texture with remarkable fidelity. Such drawings were essential trade documents, guiding craftsmen from concept to completion and reflecting Britain's booming furniture industry amid industrialization and colonial influences. These designs highlight the cultural prestige of bespoke furnishings in early 19th-century British homes, blending functionality with artistry. For visitors, they evoke the lost craft of hand-drawn invention, reminding us how everyday objects were once elevated to high design.

About the Artist

Anonymous, British, 19th century · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

    Send Feedback

    We use this only to reply to your feedback.