Artheon MuseumArtheonMuseum

Designs for Arched Doorway

Charles Monblond

19th century

Designs for Arched Doorway by Charles Monblond

Medium

Pen and black ink, watercolor

Dimensions

10 1/8 x 5 1/2in. (25.7 x 14cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969

Accession Number

69.660.12

Rights

Public Domain

Tags

ArchesDoorwaysArchitecture

Art Historical Context

Nestled in the Metropolitan Museum of Art's Drawings and Prints department, *Designs for Archedway* by 19th-century artist Charlesblond captures the elegance of architectural planning in a compact 10 1/8 x 5 1/2-inch sheet. This delicate drawing intricate arches and doorways, hallmarks of period architecture that evoked grandeur and symmetry, often seen in public buildings, churches, or grand estates. Monblond's work the era's fascination with classical motifs revived during the Romantic and historicist movements, where architects sketched ideas to blend functionality with ornate beauty. Rendered in pen and black ink with watercolor, the piece highlights masterful techniques: precise ink lines define structural forms and decorative details, while subtle watercolor washes add depth, suggesting stone textures, shadows, and light play. This mixed-media approach was standard for preliminary designs, allowing artists to communicate scale, materials, and ambiance to builders and patrons efficiently. Acquired through The Elisha Whittelsey Collection in 1969, this drawing offers a window into the creative process behind 19th-century built environments. Visitors can appreciate how such modest sketches laid the groundwork for enduring architectural legacies, inviting us to trace the lines from paper to stone.

About the Artist

Charles Monblond · 1800–1900

**Charles Monblond**, a French painter and designer born in Paris, flourished during the mid- to late nineteenth century, capturing the ornate spirit of Second Empire decorative arts through his meticulous drawings and paintings. Residing at 9 Rue Marignan, he studied under M. Ch. Polisch, honing skills that blended floral still lifes with architectural ornamentation. In 1866, Monblond sought perm...

    Send Feedback

    We use this only to reply to your feedback.