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Design for a Cartouche with Hanging Garlands
1732–1802
Design for a Wall with Two Windows
16th century
Design for a Fountain with Sea Horses and Triton Base, Basin, Dolphins and Tritons, Three Grotesque heads and Neptune
ca. 1550
Ornament with Armor and Horses' Heads
17th century
Design for a Vignette Accompanying a Publication on the Greek Alphabet
1610–64
Design for the Decoration of a Facade in Fresco or Sgraffito
early 16th century
Sketch for a Stage Set: Foreshortened View of a Palace with a Figure on the Stairs.
1700–1774
Sketches of Grotesques.
1533–1609
Three Design for Ornament & Architecture: Perspectival Rendering of a Ceiling; Two Sheets of Rocaille Designs
ca. 1730–60
Recto: The Houses of the Barbarians (Vitruvius, Book 2, Chapter 1, nos. 3, 4); Verso: The Aeropagus in Athens with Cave Houses (Vitruvius, Book 2, Chapter 1, no. 5).
1530–45
Design for Two Masks Shaped as Satyr and a Winged Medusa Head
1732–1802
Drawing for an Opera Set
More by Giuseppe Galli Bibiena
Explore other works by this artist
Proscenium for Angelica, Vincitrice di Alcina
1716
Design for a Stage Set with a Monumental Arcaded Courtyard.
early 18th century
Perspective Sketch for a Palace Interior.
18th century
Perspectival Sketch for a Palace Interior.
1696–1756
Design for Half Elevation and Half Ground Plan of a Catafalque for Countess Palatine of the Rhine, Theresia Catharine, wife of Count Palatine, Charles Philip III (1716-1742).
around 1742
Elevation of a Catafalque, Three Obelisks with Fluer-de-lys and Candles, Dated on Plaque at Bottom 1733.
1733
Designs for Stage Set: Three Pavillions in Background with "Oriental" (Ogival) Cupolas with Two Small Fountains between Them. in Foreground, a large Fountain with Dolphins Surmounted by Neptune.
1696–1756
Designs for Componets of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain.
1696–1756
Design for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings.
1696–1756
Elevation of Proscenium According to New Design and Lateral View of Boxes
ca. 1750
Elevation of Boxes and Royal Box as Presently Constituted and According to New Design
ca. 1750
Elevation of Proscenium and Lateral View
ca. 1750