Exposition universelle: Section egyptienne

Art Historical Context

Step into the bustling excitement of the 1867 Exposition Universelle in Paris *Exposition universelle: Sectionptienne*, a lively wood engraving by Julien Antoine Peulot after Honor Daumier. This extravaganza, hosted under Napoleon III, showcased global cultures and innovations, drawing millions to marvel at pavilions from around the world. The Egyptian highlighted ancient artifacts and replicas, reflecting mid-19th-century Europe’s fascination with Egyptomania—ed by archaeological discoveries and the impending opening of the Suez Canal. Daumier, a master caricaturist renowned for his sharp social commentary in lithography, captured the scene’s grandeur and human energy, which Peulot faithfully translated into intricate wood engraving. This reproductive technique, popular for affordable print illustrations in newspapers and portfolios, allowed detailed textures—from ornate obelisks to crowded visitors—to shine through fine lines carved into wood blocks. Housed in the National Gallery of Art’s portfolio collection (gift of Arthur and Charlotte Vershbow, Department CG-E), it exemplifies how prints democratized art during the industrial age. This work not only documents a pivotal cultural event but also embodies Daumier’s satirical edge, inviting us to ponder the blend of reverence and spectacle in Victorian-era world’s fairs. A delightful glimpse into history’s grand stage!