Artheon MuseumArtheonMuseum

Farmington

Farmington by Samuel Colman

Medium

Watercolor and graphite on off-white wove paper

Dimensions

7 1/4 x 20 1/16 in. (18.4 x 51 cm)

Classification

Watercolor

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1973

Accession Number

1973.119

Rights

Public Domain

Tags

LandscapesTrees

Art Historical Context

**Farmington** by Samuelman, painted in 1843, captures the serene beauty of the American landscape in a delicate watercolor and graphite composition on off-white wove. Measuring 7 1/4 x 20 1/16 inches, its panoramic format invites viewers into a wide vista likely featuring trees and pastoral scenery, evoking the vast of the 19th countryside. Housed in The Museum of Art's American Wing and acquired through the Rogers Fund in 1973, this work exemplifies early American artistic exploration of. Created during a time when American artists were increasingly turning to their own landscapes for inspiration—away from European traditions—**Farmington** reflects the cultural pride in the nation's burgeoning identity. Colman's use of watercolor, prized for its luminosity and fluidity, allows translucent layers to build atmospheric depth, while graphite underdrawings provide precise contours for trees and terrain. Wove paper's smooth texture supports these fine techniques, making it ideal for detailed studies that blend observation with poetic interpretation. This intimate yet expansive piece offers a window into mid-19th-century America, reminding us how artists like Colman celebrated the everyday wonders of farms and forests, fostering a deeper appreciation for our shared natural heritage.

About the Artist

Samuel Colman · 1832–1920

Colman grew up in New York, where his father ran a successful publishing business. The family bookstore on Broadway, was a popular meeting place for artists and there Colman met Hudson River School painters. American interior designer, New York, N.Y.; associated with L.C. Tiffany. Comment on works: landscape

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