Artheon MuseumArtheonMuseum

Fontana delle Tartarughe

Fontana delle Tartarughe by Eugène Constant

Medium

Albumen print from glass negative

Dimensions

Image: 11 5/16 × 8 11/16 in. (28.8 × 22 cm) Sheet: 18 1/2 × 12 1/8 in. (47 × 30.8 cm)

Classification

Photographs

Department

Photographs

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gilman Collection, Museum Purchase, 2005

Accession Number

2005.100.799 (13)

Rights

Public Domain

Tags

Fountains

Art Historical Context

Nestled in Rome's charming Piazza Mattei, theFontana delle Tartarughe* (Turtle Fountain) is a gem captured in this stunning 1848–52 albumen by French photographer Eugène Constant. during the fountain's heyday in the 16th century by architect Giacomo della Porta with turtle sculptures by Taddeo Landini, it symbolizes renewal and the whimsical beauty of papal Rome. Constant, active in Italy during photography's infancy, expertly framed the fountain's graceful figures and cascading water, inviting viewers to savor its timeless elegance. This image exemplifies early photographic innovation: an albumen print from a glass negative, a process pioneered in the 1840s that produced richly toned, detailed prints prized for their clarity and luminosity. At 11 5/16 × 8 11/16 inches, it captures architectural nuances unachievable by painting alone, bridging art and documentation. Constant's work reflects the era's passion for Grand Tour souvenirs, preserving Rome's monuments for a growing audience of travelers and scholars. Housed in The Metropolitan Museum of Art's Gilman Collection, this piece highlights photography's role in democratizing cultural heritage, turning a distant fountain into an intimate encounter. A delightful window into 19th-century visual culture!

About the Artist

Eugène Constant · 1848–1855

Eugène Constant (before 1820 – after 1860) was a French painter who became one of the pioneering photographers of the 19th century, capturing the grandeur of Italy's ancient monuments with unprecedented clarity.) Trained as a painter in Paris during the early 1840s, where he maintained a studio at 31 rue du Marché-Saint-Honoré, Constant exhibited interior views of Venice's Basilica of San Marco an...

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