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Founders of the Olivetan Order Receiving the Habit, design for a painting in the left transept of the Church at the Abbey of Monte Oliveto Maggiore, near Siena

Founders of the Olivetan Order Receiving the Habit, design for a painting in the left transept of the Church at the Abbey of Monte Oliveto Maggiore, near Siena by Francesco Vanni, Italian, 1563 – 1610

Medium

Drawing

Classification

Drawing

Department

Smithsonian Collection

Museum

Smithsonian American Art Museum

Credit

Museum purchase through gift of various donors and from Eleanor G. Hewitt Fund

Accession Number

1938-88-8175

Rights

Public Domain

About this artwork

Research in Progress

Art Historical Context

Francesco Vanni's *Founders of the Olivetan Receiving the Habit* (1589) is a captivating preparatory drawing for a grand painting intended for the left transept the Church at Monte Oliveto Maggiore, a historic Benedictine abbey near Siena, Italy. Created when Vanni was in his mid-20s, this work captures a pivotal moment in the Olivetan Order's founding in 1313, when its leaders—Bernardo Tolomei and—received their monastic habits, symbolizing their commitment to reformed Benedictine life amid 14th-century plagues and spiritual renewal. As a Sienese artist bridging Mannerism and early Baroque, Vanni infused his designs with elegant, dynamic figures and soft, luminous modeling influenced by Federico Barocci. This drawing, likely in pen and ink or chalk on paper, exemplifies the meticulous preparatory process of Renaissance workshops, where sketches refined compositions before monumental frescoes or altarpieces adorned sacred spaces. Its presence in the Smithsonian American Art Museum's collection highlights the enduring appeal of Italian draftsmanship, acquired through generous donors and the Eleanor G. Hewitt Fund. Though research continues, this piece offers visitors a window into 16th-century monastic devotion and Vanni's role in Siena's vibrant artistic heritage, inviting reflection on faith, artistry, and history's quiet revolutionaries.

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