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From Piazza. Catskill Mountain House (from Sketchbook)

From Piazza. Catskill Mountain House (from Sketchbook) by John William Casilear

Medium

Graphite on wove paper

Dimensions

7 1/4 x 9 in. (18.4 x 22.9 cm)

Classification

Drawing

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Morris K. Jesup Fund, 1998

Accession Number

1998.381.14 recto

Rights

Public Domain

Tags

LandscapesBalconies

Art Historical Context

John William Casilear's *From Piazza. Catskill Mountain House ( Sketchbook)* captures a serene landscape view from the veranda of the renowned Catskill Mountain House, popular 19th-century hotel in New York's Catskill Mountains. Drawn between 1834 and 1838, this intimate graphite sketch on wove paper (7 1/4 x 9 in.) reflects the era's growing fascination with the American wilderness, as artists ventured into nature for inspiration. The title's "Piazza"—an Italianate term for an open balcony—highlights the hotel's architectural charm, framing the vast, misty vistas that drew tourists and painters alike. As a preliminary sketchbook study, the work showcases Casilear's precise graphite technique, using light hatching and contour lines to evoke depth and atmosphere in a compact format. Belonging to The American Wing at The Metropolitan Museum of Art (Morris K. Jesup Fund, 1998), it exemplifies early American landscape art, bridging Romanticism's awe for nature with the meticulous observation that foreshadowed the Hudson River School. These sketches offer a window into the artist's process, revealing how such on-site notations fueled larger canvases celebrating the nation's dramatic scenery.

About the Artist

John William Casilear · 1811–1893

John William Casilear, born on June 25, 1811, in New York City, began his artistic career as an engraver, apprenticed under the prominent Peter Maverick in 1826. He later studied painting under Asher B. Durand in 1831, forming a close friendship that profoundly shaped his path. Durand, influenced by Thomas Cole, introduced Casilear to landscape painting by the mid-1830s, transitioning him from ban...

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