龍湫周沢写 不動明王二童子像|Fudō Myōō and Two Attendants

龍湫周沢写 不動明王二童子像|Fudō Myōō and Two Attendants by Ryūshū Shūtaku (Myōtaku)

Medium

One of a triptych of hanging scrolls; hand-colored woodblock print on paper

Dimensions

Image: 41 7/8 × 14 1/4 in. (106.4 × 36.2 cm) Overall with mounting: 71 × 20 3/4 in. (180.3 × 52.7 cm) Overall with knobs: 71 × 22 1/2 in. (180.3 × 57.2 cm)

Classification

Paintings

Culture & Period

Japan · Nanbokuchō period (1336–92)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975

Accession Number

1975.268.27

Tags

MenDeitiesSwordsBuddhism

Art Historical Context

In the turbulent Nanbokuchō period (6–92), a time of civil strife between Japan's rival Northern and Southern Courts,-monk Ryūshū Shūtaku (also known as Myōtaku) created striking hanging scroll, *Fudō Myōō and Two Attendants*. of a rare triptych, it the fierce Wisdom King Fudō Myōō—known as the immovable guardian of Esoteric Buddhism—flanked by his two child attendants, Kongara and Seitaka. Wielding a flaming sword to vanquish evil and a lasso to bind ignorance, Fudō embodies unyielding protection in Shingon and Tendai traditions, resonating deeply during an era of upheaval. This work stands ...

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