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Girl

Leonhard Kern

ca. 1635, base possibly late 1830s

Girl by Leonhard Kern

Medium

Pearwood (Pyrus communis); pedestal: blackened wood

Dimensions

Height without pedestal, confirmed: 7 1/2 in. (19 cm) Height with pedestal, confirmed: 10 15/16 × 3 1/2 × 4 in. (27.8 × 8.9 × 10.2 cm)

Classification

Sculpture

Culture

German, Schwabisch-Hall

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Anna-Maria and Stephen Kellen Acquisitions Fund, 2019

Accession Number

2019.24a, b

Rights

Public Domain

Tags

Girls

Art Historical Context

Behold the delicate "Girl," a masterful small-scale sculpture by Leonhard Kern, a leading German artist from Schwäbisch-Hall, carved around 1635 in pearwood—a fine-grained hardwood prized for its ability to capture intricate details. Standing just 7½ inches tall without its later pedestal (possibly from the 1830s), this work exemplifies Kern's Baroque virtuosity, where every fold of fabric, curl of hair, and subtle expression reveals his exceptional carving skill. Housed in the Metropolitan Museum of Art's European Sculpture and Decorative Arts collection, it was acquired in 2019 through the Anna-Maria and Stephen Kellen Acquisitions Fund. Kern, active in the early 17th century, was renowned across Europe for his diminutive figures that rivaled ivory carvings in precision, often depicting allegorical or everyday subjects with lifelike realism and gentle movement. This pearwood "Girl," with its blackened wood base, reflects the cultural fascination of the Baroque era with intimate, tactile art objects meant for private contemplation by nobility and collectors. Though modest in size, her poised elegance speaks to the Swabian school's emphasis on technical prowess, bridging sculpture and decorative arts in a time of religious and artistic fervor in Germany. (198 words)

About the Artist

Leonhard Kern · 1588–1662

Leonhard Kern (1588–1662), born in Forchtenberg as the fourth son of stonemason Michael Kern the Elder, emerged from a family of masons steeped in architectural sculpture. After attending the Gymnasium in Öhringen, he apprenticed from 1603 to 1609 with his older brother, the sculptor Michael Kern (1580–1649), in Würzburg, mastering stone carving in the family workshop. In 1609, Kern embarked on fo...

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