Grisélidis, plate 10 from "The Decameron"

Art Historical Context

In the Metropolitan Museum of Art's Drawings and Prints department, *Grisélidis, 10 from "Theameron"* (1873) captures a poignant moment from Giovanni Boccaccio's 14th-century masterpiece, collection of 100 tales told by young Florentines fleeing the Black Death. This etching illustrates the story of patient Griselda, whose unwavering loyalty to her tyrannical husband embodies medieval ideals of virtue and endurance. French artist Léopold Flameng, renowned for his exquisite book illustrations, brings Boccaccio's narrative to life in this intimate 8 9/16 × 7 3/8 in. sheet, acquired through the Harris Brisbane Dick Fund in 1917. As a proof before letters—an early impression without added text or titles—this rare etching showcases Flameng's mastery of the medium. Etching involves drawing acid-resistant lines into a metal plate, allowing for fine, expressive detail that conveys emotional depth and texture. Produced in the 19th century amid a revival of Renaissance literature, it reflects the era's fascination with Italian humanism and moral storytelling, bridging medieval tales with modern printmaking techniques. Visitors will appreciate how this print not only preserves Boccaccio's enduring cultural legacy but also highlights the artistry of 19th-century illustration, making classical narratives accessible and visually compelling.

About the Artist

Giovanni Boccaccio|Léopold Flameng (French|Italian) · 1831 |1313 –1911 |1375

French (born Belgium), Brussels 1831–1911 Paris|Italian, Paris 1313–1375 Certaldo, Tuscany