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Design for a Reliquary with the Beheading of a Saint
ca. 1700
A Chapel with Figures of Statues en Grisaille of Faith, Hope and Charity and 4 Putti with Symbols of the Passion.
1696–1756
Half Ground Plan and Half Elevation for a Catafalque for Duke Francesco of Parma (1694-1727)
ca. 1727
Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine
1696–1756
Elevation of a Catafalque, Surmounted by a Royal Crown, with Scull and Cross Bones in Wreath-Encircled Cartouche just below
1696–1756
Project for a Public Building on a Square
16th century
Ground Plan for a Catafalque for an electress of Bavaria
1696–1756
Ground Plan for the Catafalque for Louis XIV (d. 1715)
ca. 1715
Ground Plan for a Catafalque for Louis, Dauphin of France, d. 1711
ca. 1711
View of a Theater (Bayreuth): Exterior Elevation of the Facade; Central Portal Surmounted by Royal Crown
1696–1756
Ground Plan for a Catafalque for a Duke de Berri, probably Charles, Duke de Berri, Grandson of Louis XIV, and 3rd son of Louis, the Dauphin (1685-1714)
1696–1756
Design for Ecclesiastical Picture Frame
mid-17th century
More by Giuseppe Galli Bibiena
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Proscenium for Angelica, Vincitrice di Alcina
1716
Design for a Stage Set with a Monumental Arcaded Courtyard.
early 18th century
Perspective Sketch for a Palace Interior.
18th century
Perspectival Sketch for a Palace Interior.
1696–1756
Design for Half Elevation and Half Ground Plan of a Catafalque for Countess Palatine of the Rhine, Theresia Catharine, wife of Count Palatine, Charles Philip III (1716-1742).
around 1742
Elevation of a Catafalque, Three Obelisks with Fluer-de-lys and Candles, Dated on Plaque at Bottom 1733.
1733
Designs for Stage Set: Three Pavillions in Background with "Oriental" (Ogival) Cupolas with Two Small Fountains between Them. in Foreground, a large Fountain with Dolphins Surmounted by Neptune.
1696–1756
Designs for Componets of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain.
1696–1756
Design for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings.
1696–1756
Elevation of Proscenium According to New Design and Lateral View of Boxes
ca. 1750
Elevation of Boxes and Royal Box as Presently Constituted and According to New Design
ca. 1750
Elevation of Proscenium and Lateral View
ca. 1750