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Half Figure of a Female Saint
1728–81
Standing Nude Female and Putto with Studies of a Hand and an Arm (recto); Satyrs destroying a Female Herm (verso)
16th century
Design for Stage Set
1698–1765
Design for Stage Set
1698–1765
Half Elevation and Half Section of Catafalque for a Duchess of Hanover, probably Sophia (1630-1714)
1696–1756
Design for Stage Set
1698–1765
Saint John the Baptist in Prison Sends His Disciples to Question Jesus
1598–1616
Dancing Woman with Cymbals
17th century
Page Presenting Wine
16th century
Ground Plan for a Catafalque for a Duchess of Hanover, probably Sophia (1630-1714) the mother of George I of England
1696–1756
Parted Curtains Revealing Angels Upon Clouds Worshipping a Monstrance (Design for a Stage Set?)
1698–1765
Standing Figure in Oriental Costume
1635–1719
More by Giuseppe Galli Bibiena
Explore other works by this artist
Proscenium for Angelica, Vincitrice di Alcina
1716
Design for a Stage Set with a Monumental Arcaded Courtyard.
early 18th century
Perspective Sketch for a Palace Interior.
18th century
Perspectival Sketch for a Palace Interior.
1696–1756
Design for Half Elevation and Half Ground Plan of a Catafalque for Countess Palatine of the Rhine, Theresia Catharine, wife of Count Palatine, Charles Philip III (1716-1742).
around 1742
Elevation of a Catafalque, Three Obelisks with Fluer-de-lys and Candles, Dated on Plaque at Bottom 1733.
1733
Designs for Stage Set: Three Pavillions in Background with "Oriental" (Ogival) Cupolas with Two Small Fountains between Them. in Foreground, a large Fountain with Dolphins Surmounted by Neptune.
1696–1756
Designs for Componets of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain.
1696–1756
Design for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings.
1696–1756
Elevation of Proscenium According to New Design and Lateral View of Boxes
ca. 1750
Elevation of Boxes and Royal Box as Presently Constituted and According to New Design
ca. 1750
Elevation of Proscenium and Lateral View
ca. 1750