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Three Designs for Embroidered Headboards, from Nouveaux Liure da Partements, part of Œuvres du Sr. D. Marot
published 1703 or 1712
Grotesque Panel
1562
View of the facade of the Hôtel de Ville, Paris, in the foreground a cross on a stepped platform and a freestanding domed building
ca. 1636–91
Doors of the Trianon Appartments plate III from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode'
17th century
Satyr Mask with Hooked Horns and an Ivy Wreath, from Divers Masques
ca. 1635–45
Chimney-Piece with Various Porcelain Vases, from Nouvelles Cheminées Faittes en Plusieur en Droits de la Hollande et Autres Prouinces, part of Œuvres du Sr. D. Marot
published 1703 or 1712
Chimney-Piece with a Bust on the Overmantel, from Nouvelles Cheminées Faittes en Plusieur en Droits de la Hollande et Autres Prouinces, part of Œuvres du Sr. D. Marot
published 1703 or 1712
Satyr Mask with Curled Horns, Leafy Eyebrows and a Cloth Hanging Beneath the Chin, from Divers Masques
ca. 1635–45
Design for a vase with a faun and a nymph, from Livre de Vases (Book of Vases), plate 10
1742–50
Male Terminal Figure; Head with Beard and Turban on a Three-Quarter Strapwork Pedestal
ca. 1543–45
Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie, Plate 1
1660–1713
Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
More by Claude Gillot
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Four Actors in Heroic Costume, with a Study of a Helmeted Head
ca. 1711–22
Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot
ca. 1715
Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy
1719
The Education (L'Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721
The festival of Diana, interrupted by satyrs (Feste de Diane, troublée par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center, surprised by the arrival of satyrs from either side, from 'Les Bacchanales; Quatres Festes'
ca. 1786
Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the head of a pig to left, various witches, sorcerers, strange animals, and monsters on the ground to left in the foreground, from 'The Sabbaths' (Les Sabbats)
ca. 1700–1720
The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720
The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720