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Half-Figure of a Youth with His Right Arm Raised

Half-Figure of a Youth with His Right Arm Raised by Simone Cantarini

Medium

Red chalk, a few white highlights, on beige paper

Dimensions

13 5/16 x 10 1/2in. (33.8 x 26.7cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1969

Accession Number

69.1

Rights

Public Domain

Tags

MenPortraits

Art Historical Context

In the intimate world of 17th-century Italian drawings, Simone Cantarini *Half-Figure of a Youth His Right Arm Raised* the Baroque era's fascination with dynamic human form. Born in Pesaro in 1612 and dying at 36, Cantarini was a leading figure in the Bolog school, trained under masters like Guido Reni. works blend classical elegance with emotional expressiveness, often serving as preparatory studies for paintings or engravings. This piece, created during his short but brilliant career (1612–48), depicts a young man in a poised, upward gesture—perhaps evoking youthful vigor or classical antiquity—rendered with fluid naturalism typical of life drawing sessions. Executed in red chalk with subtle white highlights on beige paper, the drawing exemplifies Cantarini's mastery of sanguine technique, a favored medium for its warm tones and ability to convey soft modeling and volume. At 13 5/16 x 10 1/2 inches, its modest scale invites close contemplation, revealing the artist's keen observation of anatomy and light. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Rogers Fund, 1969), it highlights the Renaissance-to-Baroque transition in portrait studies, where such sketches bridged studio practice and finished portraits of men. This evocative youth reminds us of Cantarini's influence on later engravers and painters, offering visitors a window into the preparatory artistry that fueled grand canvases. A gem for those exploring Baroque draftsmanship!

About the Artist

Simone Cantarini · 1612–1648

He was one of the most eminent pupils of Guido Reni and one of the most gifted engravers in the tradition of the Carracci. He had a strong personality and developed a highly original style, which united aspects of Bolognese classicism with a bold naturalism. Comment on works: Religious

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