Henri de Pussort

Art Historical Context

Behold *Henri de Pussort*, a striking 1675 mezzotint by French artist Antoine Masson, now housed in the Art Institute of Chicago's Prints Drawings department. Measuring an impressive 53.8 × 44.7 cm on the, this work captures the likeness of Henri de Puss, a prominent sculptor of Louis XIV's era, known for his contributions to royal commissions like those at Versailles. Masson's portrait reflects the grandeur of the French Baroque period, where art glorified the Sun King's court. Mezzotint, the innovative "black manner" technique Masson employs here, revolutionized printmaking in the late 17th century. Unlike traditional line engravings, mezzotint begins with a roughened copper plate that yields velvety blacks; the artist then scrapes and burnishes to create luminous highlights, producing painterly tones ideal for portraits. This method allowed Masson's work to rival oil paintings in depth and realism, making fine reproductions accessible beyond the elite. As a testament to France's artistic flourishing under absolutism, this engraving bridges sculpture and print culture, preserving Pussort's legacy while showcasing Masson's mastery. Visitors will appreciate its tonal richness—a window into the opulent world of 17th-century Versailles artistry.