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Horse Accomplishments, Sketch 9: A Loiterer !!

Horse Accomplishments, Sketch 9: A Loiterer !! by Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward

Medium

Etching and aquatint

Dimensions

Sheet: 9 3/16 in. × 12 in. (23.4 × 30.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.639

Rights

Public Domain

Tags

SatireMenHorses

Art Historical Context

**Horse Accomplishments, Sketch : A Loiterer !!** (1799) is a delightful satirical print from a series by British caricaturist Thomas Rowland, with designs by George Murgatro Woodward and published by Rudolph Ackermann in London. Created through etching and aquatint a modest sheet measuring 9 3/16 × 12 inches, this work captures the whimsical humor of late Georgian England, where horses were not just modes of transport but symbols of status, sport, and folly. Rowlandson's etching provides crisp, expressive lines to outline the "loiterer"—likely a dawdling horse or rider mocking ideals of equine prowess—while aquatint adds rich tonal washes for depth and atmosphere, a technique popular in the era for its painterly effects in printmaking. Part of Ackermann's famed satirical publications, the series pokes fun at human-animal antics, reflecting Britain's obsession with horse racing, hunting, and breeding during a time of social satire booming in London print shops. Housed in the Metropolitan Museum of Art's Elisha Whittelsey Collection, this piece exemplifies Rowlandson's masterful caricature style, blending sharp wit with lively observation. It invites visitors to chuckle at timeless vices like laziness, offering a window into 18th-century British humor and the cultural centrality of horses in everyday life.

About the Artist

Thomas Rowlandson|Rudolph Ackermann, London|George Murgatroyd Woodward · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

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