Artheon MuseumArtheonMuseum

“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages

“I don't want to go into such a deep water...... there are surely big fish in there!,” plate 1 from Enfantillages by Honoré-Victorin Daumier

Medium

Lithograph in black on white wove paper

Dimensions

Image: 24.6 × 22.6 cm (9 11/16 × 8 15/16 in.); Sheet: 35.3 × 26.2 cm (13 15/16 × 10 3/8 in.)

Classification

lithograph

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

80002

Rights

Public Domain

Art Historical Context

In 1859, French satirical master Honoré-Victorinumier created this lithograph, the first plate from his series *Enfantillages* ("Childish Things"), now housed in the Art Institute of Chicago Prints and Drawings collection. Daumier, a prolific caricaturist during France's Second Empire under Napoleon, often used children to lampoon adult hypocrisies and societal. The title—"I don't want to go such a deep water...... are surely big fish in!"—captures a child's timid reluctance, likely symbolizing bourgeois caution toward political or financial risks in a turbulent era marked by censorship and economic upheaval. Rendered in bold black ink on white wove paper (image: 24.6 × 22.6 cm), Daumier's lithographic technique shines here. As a pioneer of the medium, he exploited its greasy crayon for fluid, expressive lines that convey exaggerated emotion and caricature—hallmarks of his style. This affordable print form allowed widespread dissemination of his sharp social commentary, influencing later cartoonists and graphic artists. Visitors will appreciate how Daumier's wit bridges innocence and critique, inviting reflection on timeless human hesitations amid "big fish" like power and peril. A testament to 19th-century printmaking's cultural punch!

About the Artist

Honoré-Victorin Daumier · 1808–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...

    Send Feedback

    We use this only to reply to your feedback.