In the CARA job-training program, Margie is hungry for knowledge and eager to participate in her studies. She takes copious notes and never hesitates to ask questions. I can see her sense of self-worth returning. I was lucky to meet Margie at a time when she was ready to take control over her life. I spent time riding with her to CARA, and met many people in the same situation. I realize now that being homeless is nothing like the fantasy sleeping on the street, wearing shabby clothes, begging for money. The homeless people I met looked just like me.

Art Historical Context

Donna Ferrato's *In the CARA job-training program...* (1999) is a poignant gelatin silver print that captures a moment of transformation in the life of Margie, a participant in Chicago's CARA program—a pioneering initiative offering job training and support to homeless individuals. Through Ferrato's lens, we see Margie eagerly taking notes and engaging in her studies, her renewed sense of self-worth shining through. The artist shares an intimate caption reflecting her own journey alongside Margie, riding to classes and meeting others facing homelessness, shattering stereotypes of the "fantasy"...