Integrity Retiring from Office
published February 24, 1801
Medium
Hand-colored etching and aquatint on paper
Dimensions
Image: 23.7 × 34.7 cm (9 3/8 × 13 11/16 in.); Plate: 25.5 × 35.5 cm (10 1/16 × 14 in.); Sheet: 27.2 × 38 cm (10 3/4 × 15 in.)
Classification
etching
Department
Prints and Drawings
Museum
Art Institute of Chicago
Accession Number
61452
Rights
Public Domain
Art Historical Context
**Integrity Retiring from Office** James Gillray, published on February 24, 1801, is a masterful example of Georgian-era political satire. This hand-colored etching and aquint on paper, measuring about 9⅜ × 13⅞ inches, captures Gillray's signature style of exaggerated caricature, poking fun at Britain's turbulent political landscape during the Napoleonic Wars. Housed in the Art Institute of Chicago's Prints Drawings department, it exemplifies the biting wit that made Gillray the preeminent caricaturist of time. The print emerged amid a pivotal moment: Prime Minister William Pitt the Younger's unexpected resignation, paving the way for Henry Addington's administration. Gillray's title slyly personifies "Integrity" as departing office, implying corruption or incompetence in the power shift—a common theme in his attacks on politicians from both sides. Such works, often sold as affordable broadsheets, fueled public discourse and shaped opinions in an era before mass media. Artistically, Gillray's etching technique delivers crisp, incisive lines for facial distortions, while aquatint adds tonal depth to scenes, and vibrant hand-coloring heightens the comedic drama. This medium's accessibility amplified caricature's cultural role, blending artistry with sharp social commentary and cementing its place in British printmaking history. A timeless reminder of satire's power! (198 words)