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Italian Landscape by Maxime Lalanne, after Claude Lorrain

Medium

etching on wove paper

Dimensions

image: 15 × 19.8 cm (5 7/8 × 7 13/16 in.) plate: 17 × 21.8 cm (6 11/16 × 8 9/16 in.) sheet: 31.2 × 44.8 cm (12 5/16 × 17 5/8 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Carol and James Goodfriend

Accession Number

2021.113.2

Rights

Public Domain

Art Historical Context

Discover the serene beauty of *Italian Landscape*, an exquisite 1865 etching by French printmaker Maxime Lalanne, faithfully reproducing a composition by the Baroque master Claude Lorrain. Lorrain (1600–1682), renowned for his luminous, idealized views of the Roman countryside, pioneered the Classical landscape tradition, blending architecture, foliage, and atmospheric light to evoke the golden age of antiquity. Lalanne, a skilled 19th-centurycher, captured this essence on wove paper, a smooth support that allowed for fine detail in his intricate lines. Etching, Lalanne's chosen medium, involves drawing into a wax-coated copper plate with acid biting the grooves to create tonal depth and texture—perfect for mimicking Lorrain's shimmering skies and distant ruins. Measuring just 15 × 19.8 cm in its image area, this intimate print reflects the 19th-century fascination with old masters, making high art accessible through reproductive prints. Housed in the National Gallery of Art's print collection as a gift from Carol and James Goodfriend, it invites visitors to appreciate how Lalanne bridged centuries, preserving Lorrain's poetic vision of Italy for modern eyes.

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