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Jason and the Dragon

Salvator Rosa

ca. 1663–64

Jason and the Dragon by Salvator Rosa

Medium

Etching and drypoint

Dimensions

sheet: 13 7/16 x 8 1/2 in. (34.1 x 21.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Joseph Pulitzer Bequest, 1917

Accession Number

17.50.17-86

Rights

Public Domain

Tags

MenDragonsTrees

Art Historical Context

Behold *Jason and the Dragon*, a captivating etching and drypoint by the Italian Baroque master Salvator Rosa, created around 1663–64. Rosa, a flamboyant 17th-century artist from Naples renowned for his dramatic landscapes and theatrical compositions, drew inspiration from classical mythology here. The scene captures the heroic moment from the Argonaut legend when Jason confronts the fearsome dragon guarding the Goldenleece, surrounded by twisted trees that heighten the tension. Rosa's proto-Romantic style infuses the work with wild energy and emotional intensity, bridging Baroque grandeur with emerging individualism. Masterfully executed in etching—where acid etches intricate lines into a copper plate—and drypoint, which adds velvety, burr-rich textures for depth and drama, this print exemplifies Rosa's innovative printmaking prowess. At 13 7/16 x 8 1/2 inches, its intimate scale invites close viewing, revealing the artist's virtuoso linework that conveys fury, scale, and shadow. Produced late in his career, it reflects Rosa's fascination with heroic strife and the sublime forces of nature, influencing later Romantic artists. Acquired by The Metropolitan Museum of Art in 1917 through the Joseph Pulitzer Bequest, this rarity from the Drawings and Prints department offers a window into 17th-century Italy's vibrant print culture, where myths were reimagined for enlightened collectors. A thrilling blend of myth and mastery!

About the Artist

Salvator Rosa · 1615–1673

Salvator Rosa was born in 1615 in Arenella, on the outskirts of Naples, into a world of artistic ambition and turbulent talent. His early training came through his maternal uncle, the painter Paolo Greco, and his brother-in-law Francesco Fracanzano, himself a pupil of the great Spanish-born Neapolitan master Jusepe de Ribera. Rosa showed a fierce independence from the start, resisting his father's...

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