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L'Attaque (The Attack), from Les Combats de Quatre Galères (The Battles of Four Galleys)

Jacques Callot

early 17th century

L'Attaque (The Attack), from Les Combats de Quatre Galères (The Battles of Four Galleys) by Jacques Callot

Medium

Etching; second state of three (Lieure)

Dimensions

Sheet: 5 9/16 x 8 1/8 in. (14.2 x 20.7 cm) Plate: 5 7/8 x 7 15/16 in. (15 x 20.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, by exchange, 1940

Accession Number

40.52.21

Tags

Ships

Art Historical Context

Jacques Callot's *L'Attaque (The Attack)*, from the series *Lesats de Quatre Gal (The Battles of Four Galle)*, captures the chaos of 17th-century naval warfare intricate detail. Created in the early 1600s, this etching depicts a fierce galley battle, with ships clashing amid cannon fire and swirling combatants. Callot, a masterful French printmaker from Lorraine, was renowned for his Baroque-style etchings that brought dynamic, crowded scenes to life on a modest scale—here, the plate measures just 5 7/8 x 7 15/16 inches. As the second state of three (per Lieure's catalog), this impression sho...

About the Artist

Jacques Callot · 15921635

Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...

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