Large marble vase decorated with a relief of the sacrifice of Iphigenia, from "Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II" (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

About this artwork

In the grand tradition of 18th-century neoclass, Giovanni Battista Piranesi etching *Large marble vase with a relief of the of Iphigenia* captures the awe-inspiring allure of ancient Roman artifacts. From Volume II of his monumental seriesVasi, candelabri, cippi,ofagi, tripodi, lucerne ed ornamenti antichi*published 1778–80), this print showcases Piranesi's meticulous documentation of classical vases and ornaments. The Venetian-born artist, a virtuoso etcher renowned for his dramatic *Vedute* of Rome and fantastical *Carceri* prisons, immortalized real and imagined antiquities to fuel Europe's passion for Greco-Roman revival during the Enlightenment. At its heart, the image depicts a towering marble vase adorned with a carved relief of Iphigenia's tragic sacrifice—a Greek myth where Agamemnon offers his daughter to appease Artemis for favorable winds to Troy. Piranesi's etching, with its intricate cross-hatching and rich tonal depth, transforms the vase into a narrative monument, blending historical accuracy with artistic flourish. Printed horizontally on a generous sheet (nearly 29 inches wide), the composition invites viewers to marvel at the vase's ornate handles, floral motifs, and mythological drama, evoking the opulence of ancient elite culture. This work, now in the Metropolitan Museum of Art's Drawings and Prints collection, exemplifies Piranesi's legacy as a bridge between past and present. His techniques not only preserved vanishing artifacts but inspired architects, designers, and collectors, making classical grandeur accessible to all. A testament to enduring human storytelling through stone and ink!