Le Seliktar-Agassi, ou porte èpée du Grand Seigneur, plate 7 from "Recueil de cent estampes représentent differentes nations du Levant"

Le Seliktar-Agassi, ou porte èpée du Grand Seigneur, plate 7 from "Recueil de cent estampes représentent differentes nations du Levant" by Gérard Jean Baptiste Scotin I|Jacques le Hay|Jean Baptiste Vanmour

Medium

Engraving

Dimensions

Sheet: 16 7/16 × 12 1/16 in. (41.8 × 30.6 cm) Plate: 14 1/8 × 9 11/16 in. (35.8 × 24.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Mrs. Charles Wrightsman, 2019

Accession Number

2019.282.95

Tags

Men

Art Historical Context

This engraving, plate 7 from the influential 1714–15 volume *Recueil de cent estampes représentant différentes nations du Levant*, portrays the Seliktar-Agassi, or sword-bearer to the Ottoman Sultan. Created after designs by Jean Baptiste Vanmour, who spent years in Constantinople documenting court and everyday life, the print belongs to a landmark series that introduced European audiences to the peoples, costumes, and hierarchies of the Ottoman Empire. Jacques le Hay compiled the volume, while Gérard Jean Baptiste Scotin I translated Vanmour’s paintings into the precise lines of engraving. T...

About the Artist

Gérard Jean Baptiste Scotin I|Jacques le Hay|Jean Baptiste Vanmour (Italian|French) · 1591 |1671 1623 |1716

Italian, Rome (?) 1591/92–1623 Venice|French, 1671–1716

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